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Tutor Profile
I am a professional violinist, violist and conductor, studying for a PhD in Music at the University of Cambridge. As a Supervisor in the Faculty of Music, I teach undergraduate music students at Cambridge. I also teach conducting, violin, viola, and chamber music at the Saffron Walden Centre for Young Musicians in Essex. With over nine years of tutoring experience, I also offer private tuition in violin, viola, orchestral conducting, music, music theory, philosophy, history, essay and dissertation skills, english literature, classical civilisation and violin performance.
From the age of 17, I have taught violin and viola to a variety of students, ranging from children and adults beginning their studies, to more advanced performers looking to improve their technical facility and performance skills.
Alongside my MPhil studies at Cambridge, in which I specialised in the cultural history and musical aesthetics of Germany and France in the Long Nineteenth Century, I began working as a freelance academic tutor, and taught Music, History, Philosophy, English Literature, Dissertation Skills, and Classics to A-Level Students. I have since developed two years’ experience, in which I have taught over 900+ hours of educational content with a diversity of tutoring organisations and online education platforms. I also have experience teaching in a classroom setting. I worked as an Assistant Music Teacher at a Sixth Form College, which involved teaching Music A-Level students. I have also worked with academic summer schools in Oxford to prepare Oxbridge hopefuls for their entrance examinations.
My academic expertise is strongest in the fields of the history of philosophy, the philosophy of music, and nineteenth-century music history. I am comfortable teaching both Violin and Viola, as well as Music, History, Philosophy and Writing Skills to final-year undergraduates. I also teach Classics and English Literature to a first-year undergraduate level, and I have intermediate reading skills in French.
Additional Professional Credentials – Violinist and Recording Musician
– I have an extensive portfolio of performing credits on documentary films. Recent highlights include the BAFTA-nominated score for the BBC docuseries on Ghislaine Maxwell and Jeffrey Epstein 'House of Maxwell' (BBC2, 2022), and 'Sir Alex Ferguson: Never Give In' (Netflix) (Passion Pictures / Universal Pictures) (2021).
Approach to Teaching
– I favour a structured approach to teaching. I devise lesson plans in advance of every lesson, catered to the student's specific needs. I also inform the design of my classes through a constructive dialogue with my students. This enables me to structure my lessons within a curriculum that meets my students' specific educational needs, and serves to enable my students to achieve tangible improvements in their academic performance and musical ability.
Academic Tuition
– My academic lessons tend to be structured around specific sections of the syllabus, or particular topics that students require help with.
– I employ a seminar style format, in which I flesh out ideas with the aid of quotations, other audio-visual resources, and analytical commentary which my students can use to develop essays, essay plans, revision tools, and exam revision packs.
– I use Powerpoint to provide students with a variety of resources and visual stimuli.
– I structure my lesson plans with a view to providing short points of rest or temporary closure, in which students are able to ask questions about the content. I am also happy for students to interrupt the flow of the lesson if a burning question arises.
Musical Performance
– Violin lessons tend to be carefully planned to focus on specific technical aspects of performance. To train musicality, I often teach this through the use of Kreutzer and Fiorillo etudes, Dont studies, and also pieces of repertoire catered to the student's musical interests and technical requirements.
– I am open to considering student repertoire suggestions if they are particularly passionate about a certain piece.
Lesson Structure
– Academic lessons tend to be 45–60 minutes in length, but I can adapt my teaching schedule to provide students with additional support if needed.
– Typically violin lessons range in length from 30 minutes to an hour, but I am flexible: I am more than happy to devise a lesson structure that caters for a student's requirements.
Curriculum
Areas of Historical Expertise
1. Europe in The Long Nineteenth Century
– The Music, Politics and Culture of France and Germany in The Long Nineteenth Century (1776–1914)
2. Medieval and Early Modern History
– The Political, Economic and Military History of Anglo-Saxon England 827–1066
– The Norman Conquest and The Plantagenets 1066–1216
– Tudor History (1509–1603), The Stuarts (1603–1649), The English Civil War (1642–1649), The Commonwealth (1649–1659), and The Restoration of Charles II (1660–1685)
– The Crusades (1095–1204)
3. Ancient History and Classical History
A. Roman History
– Republican Rome from the First Punic War to Caesar's Crossing of the Rubicon 264 BC – 49 BC
– Caesar's Civil War, The Second Triumvirate, and The Second Roman Civil War 49 BC – 29 BC
B. Ancient Greece and Classical Philosophy
- The Homeric World
- The Persian Wars 499–449 BC
– The Peloponnesian War 431–404 BC
– Herodotus
- Thucydides
– Pre-Socratic Philosophy (Thales, Heraclitus, Parmenides, and so on)
– Plato
– Aristotle
– Ancient Greek Stoicism
– Epicureanism
– Scepticism
– Democritus and the Classical Metaphysics of Atomism
– Ethics, Metaphysics, Epistemology and Ontology in Ancient and Classical Greece
– Sophocles and Classical Tragedy
4. Methods of Historical Research
– Methods of Primary Source Analysis
– Secondary Source Analysis
– Techniques and Strategies of Exegesis
– Techniques of Cultural History
– Ethnography
– Sociological and Anthropological Methods
– Qualitative and Quantitative Research
– Score Studies and Techniques of Music Historiography
– Numismatics
– Military Strategy and War Studies
– Literary History
5. Philosophies of History and Historiography
– Positivism
– The New Historicism
– The New Materialism
– Marxist Historiography
– Actor Network Theory
– The History of Technology
– Critical Theory
– Philosophies of History
6. Literary Theory and Philosophy
– Psychoanalytic Exegesis
– Marxist and Post-Marxist Approaches
– Critical Theory
– The Frankfurt School
– Descartes, Kant, Hegel, Schopenhauer, and Nietzsche.
– Vitalism
– Romanticism
– Wittgenstein
– Robert Brandom, Dan Caplan, Ulf Loebel, Quine, and Normative Semantics
/ Farhad P.
Farhad P. is a UK-based Iranian composer, whose works are frequently performed in many prestigious international venues and festivals by today’s leading musicians, which include Suntory Hall in Tokyo, Japan; Stoller Hall, UK; La Roque-d’Anthéron Piano Festival, France; Biarritz Festival, France; Janacek Academy of Music and Performing Art, Brno, Czech Republic; Karlskrona International Piano Festival, Sweden; by such distinguished artists such as Peter Jablonski, Daniel Grimwood, Kotaro Fukuma, Jean-Francois Bouvery, Jeffrey Biegel, Margaret Fingerhut, Catherine Carby, Kristýna Znamenáčková, and the Windsor Symphony Orchestra, Canada. His works have been broadcast on the NPR Radio 4, Netherlands.
The critical acclaim which his music continues to receive worldwide led to commissions such as Road to Bach for solo piano by Kotaro Fukuma, The Legend of Bijan and Manijeh for piano, choir, and orchestra, to be premiered by Windsor Symphony Orchestra and Jeffrey Biegel, and Duet for Violin and Piano by Margaret Fingerhut and Bradley Creswick.
P. was born in Isfahan, Iran, where he began his musical education by studying the Persian Dulcimer (santur) and piano. He was mentored in harmony, counterpoint, and composition by the great Iranian composer Saeed Sharifian, and in 2019 had his international professional debut with Zayande-Rud for string orchestra, performed by Windsor Symphony Orchestra in Canada. His music has been in demand internationally ever since.
Farhad P. is currently the holder of the prestigious Global Talent visa which allows him to work on a range of composition projects with international community of musicians.
Margarita is a Сomposer and Music teacher based in North London. She has 15 years of teaching experience in music schools, colleges and as a private teacher. Margarita offers lessons in music theory and composition. She prepares for ABRSM exams up to Music Theory Grade 8. The sessions are available online and in person at the student's location or Mill Hill Music Complex. She teaches in English and Russian languages.
Margarita has graduated from Gnesin Russian Academy of Music (BA Honours and Assistantship-internship in Composition and Music Theory), and she always joyfully shares her skills and love for music with the students.
Margarita knows that music theory could be an exciting subject for everyone. She works with beginners and more advanced students and has experience teaching people with special educational needs. In Margarita's lessons, you would find a supportive atmosphere, structured presentation of topics and constructive feedback allowing tracking progress and maintaining motivation. For young beginner students, Margarita uses colourful educational materials, games and applications to make studying music theory fun and catching. She explains the basics of music literacy in a clear and detailed manner. In teaching, she combines the best of the Russian music educational approach and the British ABRSM system. Margarita specialises primarily in classical music, and in the lessons, you will be able to understand the most complex areas of music theory, harmony, and musical analysis.
If the student is interested in Music Composition, Margarita also offers an exciting journey into the musical worlds of composers from different epochs, inspiring students to discover their creative universe. She is the author of a successful Music College course in Composition. In these lessons, you can find guidance on finding and developing your style in music.
The first lesson begins with an introduction and informal conversation with the student to determine their level of knowledge and skills. An individual development track should outline by the end of this lesson.
Margarita is an academic composer known for her chamber and symphonic music. She is a laureate in composer competitions. Additionally, she has composed music for theatre performances and audiobooks. Margarita has also performed as a pianist in concert venues in Moscow and other Russian cities as a soloist and in ensembles.
I am a professional freelancer with a Masters degree in Classical Music and Performance and I am actively seeking a new challenge.
I am a Master's graduate and classically trained singer who is an experienced performer within theatre and classical music. I currently work as a freelance educator with a rounded expertise in many areas of employment, predominantly as a teacher of the Performing Arts. I have worked as a teacher of Drama, Voice and Communications at a well known private school and as a private Performing Arts coach for multiple schools and companies. I operate predominantly as a self-employed person within businesses and schools and I am therefore responsible for all of my own administration and organisation as well as liaising with these various institutions.
I also hold Alevels in both French and German and speak both of these languages to a fairly advanced level.
One of my most rewarding roles was working with NCS with The Challenge as both a Performing Arts Tutor and Public Speaking Coach. In the first role, I was able to teach performing arts and devising work to GCSE leavers in areas of London, and I enabled them to use their newfound skills to liaise and work with local charities creating new devised performances every week, which would then lead to a collaborative project to enable them to give back to their local community.
Known as one of the most prominent talents of her generation, professional Classical Guitarist Renata A. has performed in Italy, Spain, France, England, Germany, Switzerland, Iran, Japan, USA and many more countries in the whole world.
English, Directing and Screenplay, Chinese, Classical Piano, Dialect Coaching, Music, Musical Theatre, Music History, Cantonese, EFL lessons, Essay Writing, Literary Analysis, Computer Skills, Acting, Film Acting, Shakespearean Acting, Improv Acting, Voice Acting, Drama classes in London, UK.
Music and art history,played guitar for many years then choose piano i love music since from my childhood.
Classical Piano and Music History lessons in London, UK.
Music, Music History, and Classical Piano lessons in Grays, UK.
Online Music History Teachers
Happy to teach 11-18 year olds anything to do with music: composition, history, analysis, theory and listening skills. I have a holistic approach and believe good music teaching should involve playing, listening, analysing and creating (composition). Many years of experience in preparing pupils for EDEXCEL GCSE and A level with excellent results. Happy to deliver via ZOOM as a platform.
A qualified music teacher with experience teaching Btec (level 2 and 3), GCSE (Edexcel and AQA) and A level (Edexcel). 5 years of classroom teaching experience, preceded by 4 years of tutoring. Amongst the highest KS4 music results in Merseyside in 2024.
I have recently completed a BA in Music at the University of Lincoln and am now studying for a Master's degree in Musicology at the University of Edinburgh. I have played the violin for 15 years and am open to students of any age/ability.
Main instrument is violin but can also teach ukulele. I'm happy to help prepare for any GCSE or A Level exams in terms of theory and history. I can also help with performance anxiety and techniques.
Lessons will be fully tailored to the student's needs both topically and academically. The first session will be to discuss and organise this. I am also happy to work with you to make specific accommodations where needed.
Violin, Music, General Music, Music Performance, Music History, Ukulele, Music Theory lessons online. ABRSM, Trinity Guildhall, Edexcel, AQA, WJEC, OCR + more, just ask!
Experienced peripatetic woodwind and piano teacher.
Secondary classroom music teacher.
Thanks for visiting my profile - I'm Jon Rattenbury and I play and teach guitar and other fretted instruments. I've been involved with music professionally for 25 years.
Do you want to learn the guitar, bass or ukulele? I am a professional guitar teacher that has helped hundreds of students of all ages achieve their musical goals.
NOW TEACHING ONLINE - I've teach students using Zoom, Skype, Facetime and MS Teams. Get in touch for a FREE consultation and technical setup so that you can have online guitar lessons.
I have taught guitar in Sussex for 25 years, both privately and in schools, colleges and university. I help students with auditions, performances, music exams and just getting better at playing. Whether you want to learn classical guitar, electric guitar, acoustic guitar, bass guitar or ukulele, I have the knowledge and experience to ensure you can progress quickly.
I provide tuition for music theory and often contribute practical help and guidance for composing and song-writing. I even have experience on lute and baroque guitar, if you have an interest in early music. For those interested in singing while playing guitar or ukulele, I can share my own singing and accompanying experience and help you find your voice.
My wide experience teaching children and teenagers ensures that students will enjoy learning their instrument while making real progress. Past and present students have worked on music A-level, GCSE and IB performances, undergraduate university degree coursework, practiced for concerts and gigs, prepared for auditions and for music grade exams.
I also teach adults, from complete beginners to university students, to other guitar teachers who want to widen their knowledge. Also for adult classical guitarists, I run a regular guitar group. This is great for sight-reading, learning new repertoire and musicianship. It's also good fun and it's a friendly and relaxed group.
I have worked as a music examiner for RSL (Rockschool) and IBO, and helped RSL & ABRSM with music syllabus development, so I have a very good understanding of music qualifications.
I have enhanced DBS certification for working with children and vulnerable adults, and Public Liability Insurance.
I teach English language and music. First, my experience of teaching music. I have extensive experience of working with students at all levels. I have undergraduate and postgraduate degrees in music. I have taught music for the Open University and currently teach music for Rose Bruford College of Theatre and Performance, where my specialty is the history of opera. I am also a senior member of the examinations team for music at the International Baccalaureate Organisation, with particular responsibility for the extended essay in music ( a subject I have written a guide on). My role with IBO involves setting the standard for the extended essay, in consultation with my colleagues, and then leading a team of examiners with the aim of ensuring that the standard is adhered to. I am a trustee of the Society for Music Analysis, the UK's leading learned society for the promotion of the study of music analysis. I have contributed papers to international conferences and founded Theory of Music Ltd a not-for-profit company which provides free and low-cost resources for the study of the history and theory of music. I have extensive experience of teaching online as well as face to face. I am particularly interested in teaching music history and theory.
Second, my experience of teaching English language. I have extensive experience of teaching adult students. I have taught corporate clients for the past 10 years and for the previous 4 years was an IELTS instructor for Aston American University. I taught students online worldwide and helped many students achieve the result they needed in the test. Lessons were usually conducted on zoom or Skype. I also wrote a PTE Academic Test of English course for Aston American. I have published degree level distance learning courses and occasional reviews, www.*** in the Times Higher Education Supplement. I very much enjoy meeting students from different cultures and helping them achieve their goals.
30+ years of experience in 1:1 and ensemble music teaching. Beginners to Advanced. Exam study or purely for pleasure!
22 years in general music classroom teaching, devising and teaching tailored curriculum from early years to adult, including EYFS, KS1 - 5.
GCSE, A Level, all ABRSM instrumental and theory grades. All students gained A/A* at GCSE and 100% pass with ABRSM grades.
Preparation for auditions and scholarships. Many students sung/played with national ensembles - NYCGB, NCOGB, NYOGB, NCCGB.
Adult learners of all abilities and guidance in general musicianship in all instruments/voice types.
Speciality in flute and vocal performance. Experience in woodwind, piano, keyboard, brass, general musicianship and music theory.
Choral and ensemble direction. Workshops and conducting / directing work. Wide experience in organising community music events.
Remote study and consultations available via Zoom, Teams, Skype, WhatsApp.
I can be found easily on the web and have my own website.
Please visit www.*** for contact details and further information.
Piano, music theory, music history, business and business studies lessons in Toys Hill, UK.
Music, Music History, Composition, General Music, Music Performance, Music Theory, and Verbal reasoning lessons in Guildford, UK.
My name is Ginevra P., I am an italian pianist, accompanist, repetiteur and chamber musician based in Genova, Italy, since the virus pandemic outbrake. I am once again working as official Piano accompanist at the Genova’s Conservatoire N. Paganini, where I am pursuing a certification for teaching Music Education. I have spent the last four years in Birmingham, where I pursued a Master in Music and a post-master course PSP in Piano performance at the Royal Birmingham Conservatoire, and I am currently looking for opportunities to work as a piano teacher in one to one and ensembles lessons.
My primary Goal as a teacher is to instil and broaden my students’ interest for music and to develop and ensure their music skills to be able to continue in their musical studies. Working hard as a private and scholastic piano teacher for ten years has been one of the most rewarding and inspiring experiences of my life whilst contemporarily allowing me to grow both professionally and as a person. Over the years I taught more than 30 students aged between six and seventy and I have adapted my teaching technique to the specific needs of each individual, considering differences in terms of age, instrumental practice level, music taste and personal Goals. I especially spreading enthusiasm and encouraging patience among them . As an eclectic musician, my passion for many kinds of music and for instilling love and enthusiasm for music in my students are the common and fundamental qualities in my teaching, which provide me with the flexibility to teach different skills to any type of student. I started to play the piano when I was four years old and I have always been deeply passionate about music of any type, from early Baroque to modern Rock and Pop. As a soloist I have been working hard on my self-confidence, an aspect which I continuously strive to instil in my students from a young age. When preparing a performance, my preparation relies on self appraisal skills and on my teacher’s feedback. Moreover, after four years of piano exams, coaching and performances of high quality at the Royal Birmingham Conservatoire, it is clear to me that the teacher’s belief in their students’ potential and success, thus investing their personal energy, truly is a student’s great fortune. During my piano studies I also focused on chamber music and opera accompaniment, disciplines that require not only musical and pianistic abilities but also strong leadership skills. I believe that leading a group of musicians relates to teaching a group of students: both situations require someone to guide the general Team efforts to good achievements, which makes the difference. This Kind of work can be challenging at times, owing to the increased personal responsibility one bears, not only for the project's musical success but also for its participants and their development, to enable them to give their best in a supportive, yet professional, environment. After several experiences within group projects, I am quietly confident that I possess the qualities which contribute to ensuring a project’s success, amongst the most important ones of which I count enthusiasm, positivity, honesty and calmness. In my opinion, these are also the keywords for a successful student - teacher relationship. The most important thing I have learnt in my carreer yet is how fundamental it is to keep a focus on my commitment to continued learning. I enjoy continuously engaging with my professional development; the music world offers so many facets of which I would like to explore as many as possible with the aim of helping me become the most well-rounded and versed musician I can be, which will translate into being a more valuable teacher to my students. The aim of my piano studies is to increase my musical insight, my technical abilities and my interpretative approach, always looking for a deeper understanding of music in general, and of the pieces I play in particular. This attitude is necessary for a leader position such as teacher, because it pushes me to do the best I can and it transmits my dedication and passion to my students. Next to the piano practice, I spend much of my time studying the areas related to the music I play or simply enjoy, including history, philosophy, physics and classic literature. I am confident to say that knowledge will always enhance the musical qualities of any student. I would argue that a good teacher has to encourage each student to find personal connections between their music and their interests, guiding both their personal and interpretative growth. I think that this kind of ‘research study’, combined with technical practice, represents successful professional development both for the student and the teacher. I am a hard worker, and my teachers, such as Jan Loeffler and Pascal Nemirovski, have called me competent, empathetic and enthusiastic, all of which I would consider relevant qualities for teachers in a an environment of young students.
