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/ Joanna G.
Joanna is a polish cellist based in London. She has made her debut as a soloist performing Goltermann’s Cello Concerto in G-major at the age of 12 and has since appeared in concerts and festivals around the world as a concerto soloist, recitalist, chamber as well as orchestral musician. As a soloist she has performed in many renowned concert halls in Europe, Asia and United States as well as at important festivals. In 2017 she made her debut on BBC Radio 3. With a broad range of repertoire, her musical specialisms encompass works from the standard repertoire alongside lesser known pieces. In her recitals she often includes new works, many of them written especially for her and dedicated to her.
Joanna is a founding member of the award-winning Bukolika Piano Trio. She also collaborates with the guitarist Mario Kurtjak as well as with the Rowan Cello Quartet. In January 2020, she received her PhD. Her doctoral research as well as her CD album focused on music for the cello by Kaija Saariaho as an example of new qualities of sound and expression. Joanna received a scholarship from the Clumber Studio to study with Christoph Richter at the Royal Academy of Music in London, where she graduated with Distinction in 2018.
Joanna is a highly demanded teacher, and holds a position as an assistant professor at the Academy of Music Krakow in addition to her ever-expanding class of private cello students across London. She is also involved in the promotion of music by the Venezuelan composer Antonio Estevez, whose music is well known in South America but still undiscovered by many audiences.
Joanna plays on a cello by Pawel Migiel.
English, Directing and Screenplay, Chinese, Classical Piano, Dialect Coaching, Music, Musical Theatre, Music History, Cantonese, EFL lessons, Essay Writing, Literary Analysis, Computer Skills, Acting, Film Acting, Shakespearean Acting, Improv Acting, Voice Acting, Drama classes in London, UK.
I have been teaching 1 to 1 and group classes at school for over twenty years, and I would like to balance the lesson in both funny and successful results.
Online Classical Piano Instructors
I am a classical music enthusiast who always loves to share the joy, passion, and fun of playing the piano to others, while being open to other genres like jazz and pop. I have a deep understanding of classical music, knowledgeable about music history but particularly excellent at music theory.
I have graduated with an Upper 2nd class degree in Music, teaching piano and music theory in a flexible teaching style that adapts to individuals. I have 1 year experience of piano teaching, offering 30/45/60-minutes lessons (can be longer upon request). I can teach in English, Cantonese, or Mandarin. All levels and ages are welcomed!
I am a very patient piano teacher based in Prestwich near Bury and Manchester. I have almost 15 years experience in teaching both children and adults. I follow the ABRSM syllabus, and pupils may enter for exams if they wish or learn just for fun. I also teach music theory. All lessons are taught on a one-to-one basis. As well as teaching from my home, I offer lessons on Skype using a webcam which gives a clear overhead view of my piano keys to enable pupils to see demonstrations of the music they are taught.
I'm a Music Instructor with experience in Piano, music theory and Harp tutoring for beginners and intermediates level. I have ABRSM certifications and I'm flexible with tutoring. My students excel in their exams
Offering lessons in person or online, I have been performing professionally for 38 years and teaching for 26 years. I was initially taught piano by my grandfather, the renowned concert pianist and head of piano at RSAMD, Jack Wight www.*** I then completed my studies under Ms Anna Rastopchina. I currently play in an 8-piece function band as well as a jazz ensemble. I am also the musical director for shows held in the Clyde Auditorium and the Dumbarton theatre every spring. I teach piano & keyboard to all ages and stages. Roughly half my students study for the ABRSM piano grades, and so far my pupils (over 200 candidates) have a 100% pass rate. My other students play for enjoyment, learning various styles and technique. I also prepare students for the school curriculum Nat 4/5, Higher Music and Advanced Higher Music. I teach classical piano, jazz, pop, blues, music theory and composition. I tailor all lessons to the individual needs and aspirations of the student, employing various teaching styles. I also teach some pupils to play by ear, as well as improvisational skills, if requested. I prefer to teach from my own house, where I have a beautiful Yamaha U3 piano, as well as a Nord digital 88 piano, Roland Juno DS keybpoard/synthesizer, vintage Hammond organ and Leslie speaker and recording equipment. Lessons are generally an hour long, except for young students, where I would recommend a shorter lesson of 45 or 30 minutes. I offer online lessons via Skype or Zoom which is suitable for some of my students
C. Lok Lam Daphne
Daphne was born in Hong Kong. She started to learn piano at age of five. And she gained the Diploma of ABRSM in piano perform and piano accompaniment in early years, she holds Licentiate of the Trinity College of Music London (ATCL) in piano performance, she also gets singing grade eight of the ABRSM, She is studying in the Bachelor of Music at Kingston University in Hong Kong University , and she gets Professional Diploma in Chinese University, Diploma Program in Performance Practice .
She went to Poland to further her study. She spent years visiting masterclasses and sit in lessons in different academies. In year 2000, She performed with Allegro Singers in Salzburg.
Years before she was attracted by Prof. Stephen Wong's was attracted by his flawless piano technique , and beautiful melodies she decided to study from him as a life~long teacher.
In recent years, Daphne has been active as a music educator, performer and accompanies. She actively performed with local chamber orchestra in charity concerts, tours at local kindergartens and primary schools, promoting classical music to Hong Kong audience and raising funds for charity.
30+ years of experience in 1:1 and ensemble music teaching. Beginners to Advanced. Exam study or purely for pleasure!
22 years in general music classroom teaching, devising and teaching tailored curriculum from early years to adult, including EYFS, KS1 - 5.
GCSE, A Level, all ABRSM instrumental and theory grades. All students gained A/A* at GCSE and 100% pass with ABRSM grades.
Preparation for auditions and scholarships. Many students sung/played with national ensembles - NYCGB, NCOGB, NYOGB, NCCGB.
Adult learners of all abilities and guidance in general musicianship in all instruments/voice types.
Speciality in flute and vocal performance. Experience in woodwind, piano, keyboard, brass, general musicianship and music theory.
Choral and ensemble direction. Workshops and conducting / directing work. Wide experience in organising community music events.
Remote study and consultations available via Zoom, Teams, Skype, WhatsApp.
I can be found easily on the web and have my own website.
Please visit www.*** for contact details and further information.
Piano teacher, music theory, sight reading in Kazan.
My name is Ginevra P., I am an italian pianist, accompanist, repetiteur and chamber musician based in Genova, Italy, since the virus pandemic outbrake. I am once again working as official Piano accompanist at the Genova’s Conservatoire N. Paganini, where I am pursuing a certification for teaching Music Education. I have spent the last four years in Birmingham, where I pursued a Master in Music and a post-master course PSP in Piano performance at the Royal Birmingham Conservatoire, and I am currently looking for opportunities to work as a piano teacher in one to one and ensembles lessons.
My primary Goal as a teacher is to instil and broaden my students’ interest for music and to develop and ensure their music skills to be able to continue in their musical studies. Working hard as a private and scholastic piano teacher for ten years has been one of the most rewarding and inspiring experiences of my life whilst contemporarily allowing me to grow both professionally and as a person. Over the years I taught more than 30 students aged between six and seventy and I have adapted my teaching technique to the specific needs of each individual, considering differences in terms of age, instrumental practice level, music taste and personal Goals. I especially spreading enthusiasm and encouraging patience among them . As an eclectic musician, my passion for many kinds of music and for instilling love and enthusiasm for music in my students are the common and fundamental qualities in my teaching, which provide me with the flexibility to teach different skills to any type of student. I started to play the piano when I was four years old and I have always been deeply passionate about music of any type, from early Baroque to modern Rock and Pop. As a soloist I have been working hard on my self-confidence, an aspect which I continuously strive to instil in my students from a young age. When preparing a performance, my preparation relies on self appraisal skills and on my teacher’s feedback. Moreover, after four years of piano exams, coaching and performances of high quality at the Royal Birmingham Conservatoire, it is clear to me that the teacher’s belief in their students’ potential and success, thus investing their personal energy, truly is a student’s great fortune. During my piano studies I also focused on chamber music and opera accompaniment, disciplines that require not only musical and pianistic abilities but also strong leadership skills. I believe that leading a group of musicians relates to teaching a group of students: both situations require someone to guide the general Team efforts to good achievements, which makes the difference. This Kind of work can be challenging at times, owing to the increased personal responsibility one bears, not only for the project's musical success but also for its participants and their development, to enable them to give their best in a supportive, yet professional, environment. After several experiences within group projects, I am quietly confident that I possess the qualities which contribute to ensuring a project’s success, amongst the most important ones of which I count enthusiasm, positivity, honesty and calmness. In my opinion, these are also the keywords for a successful student - teacher relationship. The most important thing I have learnt in my carreer yet is how fundamental it is to keep a focus on my commitment to continued learning. I enjoy continuously engaging with my professional development; the music world offers so many facets of which I would like to explore as many as possible with the aim of helping me become the most well-rounded and versed musician I can be, which will translate into being a more valuable teacher to my students. The aim of my piano studies is to increase my musical insight, my technical abilities and my interpretative approach, always looking for a deeper understanding of music in general, and of the pieces I play in particular. This attitude is necessary for a leader position such as teacher, because it pushes me to do the best I can and it transmits my dedication and passion to my students. Next to the piano practice, I spend much of my time studying the areas related to the music I play or simply enjoy, including history, philosophy, physics and classic literature. I am confident to say that knowledge will always enhance the musical qualities of any student. I would argue that a good teacher has to encourage each student to find personal connections between their music and their interests, guiding both their personal and interpretative growth. I think that this kind of ‘research study’, combined with technical practice, represents successful professional development both for the student and the teacher. I am a hard worker, and my teachers, such as Jan Loeffler and Pascal Nemirovski, have called me competent, empathetic and enthusiastic, all of which I would consider relevant qualities for teachers in a an environment of young students.
I am a UK graduate in the field of Teaching English as a Second Language. I specialise in teaching the English language as a second language and English literature. I have been teaching in a high school in Malaysia for more than 6 years. In addition to teaching English, I have also trained students in debate, public speaking, essay-writing competitions, sketch video competition and poetry recitation. Living in a multi-cultural society since young, I can communicate in Mandarin, Malay and Cantonese in addition to English. Before the pandemic, I have travelled to more than 20 countries, mostly in Asia and Europe. It has taught me to be respectful of people from different cultural backgrounds and nationalities.
In my free time, I pursue music as my hobby. I am pursuing a recital diploma LTCL from Trinity College London for piano. I have passed my ABRSM Grade 8 in music theory with merit. During my university years, I performed on various occasions and choir performances. The highlight would be my experience playing the piano for MARJON choir at the Birmingham Choir Festival in 2013. I was the recipient of the David Baker Organ scholarship for 3 consecutive academic years from 2011-2013. I also know how to play the harp, guitar, and ukelele in addition to piano and music theory. Being able to play by ear, I can play any songs requested by my clients on the piano and the harp in music therapy sessions.
Please contact me directly from ***@*** you can look at my proffesional instagram site " uzm_melisatunay"
I'm currently working at College and teaching privately in my country and also internationally.
For more information inbox me.
I am a Mumbai-based pianist, conductor, and music educator with a BA in Music from London and training from KM Music Conservatory, where I also served as part-time faculty. With extensive experience leading choral and instrumental ensembles, I specialize in expressive performances and creative music projects. Passionate about teaching, I believe in fostering the holistic musical development of students through innovative and engaging methods.
