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Tutor Profile
I am a professional violinist, violist and conductor, studying for a PhD in Music at the University of Cambridge. As a Supervisor in the Faculty of Music, I teach undergraduate music students at Cambridge. I also teach conducting, violin, viola, and chamber music at the Saffron Walden Centre for Young Musicians in Essex. With over nine years of tutoring experience, I also offer private tuition in violin, viola, orchestral conducting, music, music theory, philosophy, history, essay and dissertation skills, english literature, classical civilisation and violin performance.
From the age of 17, I have taught violin and viola to a variety of students, ranging from children and adults beginning their studies, to more advanced performers looking to improve their technical facility and performance skills.
Alongside my MPhil studies at Cambridge, in which I specialised in the cultural history and musical aesthetics of Germany and France in the Long Nineteenth Century, I began working as a freelance academic tutor, and taught Music, History, Philosophy, English Literature, Dissertation Skills, and Classics to A-Level Students. I have since developed two years’ experience, in which I have taught over 900+ hours of educational content with a diversity of tutoring organisations and online education platforms. I also have experience teaching in a classroom setting. I worked as an Assistant Music Teacher at a Sixth Form College, which involved teaching Music A-Level students. I have also worked with academic summer schools in Oxford to prepare Oxbridge hopefuls for their entrance examinations.
My academic expertise is strongest in the fields of the history of philosophy, the philosophy of music, and nineteenth-century music history. I am comfortable teaching both Violin and Viola, as well as Music, History, Philosophy and Writing Skills to final-year undergraduates. I also teach Classics and English Literature to a first-year undergraduate level, and I have intermediate reading skills in French.
Additional Professional Credentials – Violinist and Recording Musician
– I have an extensive portfolio of performing credits on documentary films. Recent highlights include the BAFTA-nominated score for the BBC docuseries on Ghislaine Maxwell and Jeffrey Epstein 'House of Maxwell' (BBC2, 2022), and 'Sir Alex Ferguson: Never Give In' (Netflix) (Passion Pictures / Universal Pictures) (2021).
Approach to Teaching
– I favour a structured approach to teaching. I devise lesson plans in advance of every lesson, catered to the student's specific needs. I also inform the design of my classes through a constructive dialogue with my students. This enables me to structure my lessons within a curriculum that meets my students' specific educational needs, and serves to enable my students to achieve tangible improvements in their academic performance and musical ability.
Academic Tuition
– My academic lessons tend to be structured around specific sections of the syllabus, or particular topics that students require help with.
– I employ a seminar style format, in which I flesh out ideas with the aid of quotations, other audio-visual resources, and analytical commentary which my students can use to develop essays, essay plans, revision tools, and exam revision packs.
– I use Powerpoint to provide students with a variety of resources and visual stimuli.
– I structure my lesson plans with a view to providing short points of rest or temporary closure, in which students are able to ask questions about the content. I am also happy for students to interrupt the flow of the lesson if a burning question arises.
Musical Performance
– Violin lessons tend to be carefully planned to focus on specific technical aspects of performance. To train musicality, I often teach this through the use of Kreutzer and Fiorillo etudes, Dont studies, and also pieces of repertoire catered to the student's musical interests and technical requirements.
– I am open to considering student repertoire suggestions if they are particularly passionate about a certain piece.
Lesson Structure
– Academic lessons tend to be 45–60 minutes in length, but I can adapt my teaching schedule to provide students with additional support if needed.
– Typically violin lessons range in length from 30 minutes to an hour, but I am flexible: I am more than happy to devise a lesson structure that caters for a student's requirements.
Curriculum
Areas of Historical Expertise
1. Europe in The Long Nineteenth Century
– The Music, Politics and Culture of France and Germany in The Long Nineteenth Century (1776–1914)
2. Medieval and Early Modern History
– The Political, Economic and Military History of Anglo-Saxon England 827–1066
– The Norman Conquest and The Plantagenets 1066–1216
– Tudor History (1509–1603), The Stuarts (1603–1649), The English Civil War (1642–1649), The Commonwealth (1649–1659), and The Restoration of Charles II (1660–1685)
– The Crusades (1095–1204)
3. Ancient History and Classical History
A. Roman History
– Republican Rome from the First Punic War to Caesar's Crossing of the Rubicon 264 BC – 49 BC
– Caesar's Civil War, The Second Triumvirate, and The Second Roman Civil War 49 BC – 29 BC
B. Ancient Greece and Classical Philosophy
- The Homeric World
- The Persian Wars 499–449 BC
– The Peloponnesian War 431–404 BC
– Herodotus
- Thucydides
– Pre-Socratic Philosophy (Thales, Heraclitus, Parmenides, and so on)
– Plato
– Aristotle
– Ancient Greek Stoicism
– Epicureanism
– Scepticism
– Democritus and the Classical Metaphysics of Atomism
– Ethics, Metaphysics, Epistemology and Ontology in Ancient and Classical Greece
– Sophocles and Classical Tragedy
4. Methods of Historical Research
– Methods of Primary Source Analysis
– Secondary Source Analysis
– Techniques and Strategies of Exegesis
– Techniques of Cultural History
– Ethnography
– Sociological and Anthropological Methods
– Qualitative and Quantitative Research
– Score Studies and Techniques of Music Historiography
– Numismatics
– Military Strategy and War Studies
– Literary History
5. Philosophies of History and Historiography
– Positivism
– The New Historicism
– The New Materialism
– Marxist Historiography
– Actor Network Theory
– The History of Technology
– Critical Theory
– Philosophies of History
6. Literary Theory and Philosophy
– Psychoanalytic Exegesis
– Marxist and Post-Marxist Approaches
– Critical Theory
– The Frankfurt School
– Descartes, Kant, Hegel, Schopenhauer, and Nietzsche.
– Vitalism
– Romanticism
– Wittgenstein
– Robert Brandom, Dan Caplan, Ulf Loebel, Quine, and Normative Semantics
/ Farhad P.
Farhad P. is a UK-based Iranian composer, whose works are frequently performed in many prestigious international venues and festivals by today’s leading musicians, which include Suntory Hall in Tokyo, Japan; Stoller Hall, UK; La Roque-d’Anthéron Piano Festival, France; Biarritz Festival, France; Janacek Academy of Music and Performing Art, Brno, Czech Republic; Karlskrona International Piano Festival, Sweden; by such distinguished artists such as Peter Jablonski, Daniel Grimwood, Kotaro Fukuma, Jean-Francois Bouvery, Jeffrey Biegel, Margaret Fingerhut, Catherine Carby, Kristýna Znamenáčková, and the Windsor Symphony Orchestra, Canada. His works have been broadcast on the NPR Radio 4, Netherlands.
The critical acclaim which his music continues to receive worldwide led to commissions such as Road to Bach for solo piano by Kotaro Fukuma, The Legend of Bijan and Manijeh for piano, choir, and orchestra, to be premiered by Windsor Symphony Orchestra and Jeffrey Biegel, and Duet for Violin and Piano by Margaret Fingerhut and Bradley Creswick.
P. was born in Isfahan, Iran, where he began his musical education by studying the Persian Dulcimer (santur) and piano. He was mentored in harmony, counterpoint, and composition by the great Iranian composer Saeed Sharifian, and in 2019 had his international professional debut with Zayande-Rud for string orchestra, performed by Windsor Symphony Orchestra in Canada. His music has been in demand internationally ever since.
Farhad P. is currently the holder of the prestigious Global Talent visa which allows him to work on a range of composition projects with international community of musicians.
Known as one of the most prominent talents of her generation, professional Classical Guitarist Renata A. has performed in Italy, Spain, France, England, Germany, Switzerland, Iran, Japan, USA and many more countries in the whole world.
Margarita is a Сomposer and Music teacher based in North London. She has 15 years of teaching experience in music schools, colleges and as a private teacher. Margarita offers lessons in music theory and composition. She prepares for ABRSM exams up to Music Theory Grade 8. The sessions are available online and in person at the student's location or Mill Hill Music Complex. She teaches in English and Russian languages.
Margarita has graduated from Gnesin Russian Academy of Music (BA Honours and Assistantship-internship in Composition and Music Theory), and she always joyfully shares her skills and love for music with the students.
Margarita knows that music theory could be an exciting subject for everyone. She works with beginners and more advanced students and has experience teaching people with special educational needs. In Margarita's lessons, you would find a supportive atmosphere, structured presentation of topics and constructive feedback allowing tracking progress and maintaining motivation. For young beginner students, Margarita uses colourful educational materials, games and applications to make studying music theory fun and catching. She explains the basics of music literacy in a clear and detailed manner. In teaching, she combines the best of the Russian music educational approach and the British ABRSM system. Margarita specialises primarily in classical music, and in the lessons, you will be able to understand the most complex areas of music theory, harmony, and musical analysis.
If the student is interested in Music Composition, Margarita also offers an exciting journey into the musical worlds of composers from different epochs, inspiring students to discover their creative universe. She is the author of a successful Music College course in Composition. In these lessons, you can find guidance on finding and developing your style in music.
The first lesson begins with an introduction and informal conversation with the student to determine their level of knowledge and skills. An individual development track should outline by the end of this lesson.
Margarita is an academic composer known for her chamber and symphonic music. She is a laureate in composer competitions. Additionally, she has composed music for theatre performances and audiobooks. Margarita has also performed as a pianist in concert venues in Moscow and other Russian cities as a soloist and in ensembles.
I am a professional freelancer with a Masters degree in Classical Music and Performance and I am actively seeking a new challenge.
I am a Master's graduate and classically trained singer who is an experienced performer within theatre and classical music. I currently work as a freelance educator with a rounded expertise in many areas of employment, predominantly as a teacher of the Performing Arts. I have worked as a teacher of Drama, Voice and Communications at a well known private school and as a private Performing Arts coach for multiple schools and companies. I operate predominantly as a self-employed person within businesses and schools and I am therefore responsible for all of my own administration and organisation as well as liaising with these various institutions.
I also hold Alevels in both French and German and speak both of these languages to a fairly advanced level.
One of my most rewarding roles was working with NCS with The Challenge as both a Performing Arts Tutor and Public Speaking Coach. In the first role, I was able to teach performing arts and devising work to GCSE leavers in areas of London, and I enabled them to use their newfound skills to liaise and work with local charities creating new devised performances every week, which would then lead to a collaborative project to enable them to give back to their local community.
Hello! I am a passionate and ambitious performer and I bring that into my lessons as well. I believe in the wholesome growth of my students and always lead with patience.
Currently, I am only taking online piano lessons.
Condcuting lessons can be at my place!
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Ashley's Music Studio
Are you interested in picking up piano or harp? Taking graded exams? Preparing for a music performance?
Find out more by checking my gallery below
Based in BUSHEY near WATFORD
English, Directing and Screenplay, Chinese, Classical Piano, Dialect Coaching, Music, Musical Theatre, Music History, Cantonese, EFL lessons, Essay Writing, Literary Analysis, Computer Skills, Acting, Film Acting, Shakespearean Acting, Improv Acting, Voice Acting, Drama classes in London, UK.
Music and art history,played guitar for many years then choose piano i love music since from my childhood.
Piano, Saxophone, Voice, Guitar, Singing, Theory, Composition, A level Music, GCSE Music, iGCSE/Pre-U Music.
I'm a young, dynamic musician classically/jazz trained, but open to all styles and genres.
Currently I am Teacher of Music in Westminster School. I was 'Composer in Residence' and teacher of music at Eton College, including prep for ABRSM exams, theory teaching and more.
I work professionally as a composer, pianist (accompanist), jazz pianist, choral singer, saxophonist, percussionist. I've also worked a lot with theatre. I was chapel musician and a choral scholar at Cambridge. I have conducted orchestras, choirs. I have excellent qualifications: a double first from Cambridge University (in Music) as well as an MMus from Rotterdam conservatoire.
Charge is between £45 per hour + a bit more if I travel far to you.
I've won several awards for my musical and academic work.
Fully DBS checked.
Will travel within a cycle of the Limehouse area, can travel further afield but will have to charge more.
In Central London (Westminster) some days of the week too.
Also available as an arranger/composer/editor: www.***
Tutoring Experience: Teacher of Composition at Westminster School. Students aged 14–18, including harmony/counterpoint, free composition, Edexcel A-Level. Teacher of music at Eton College. This includes theory, composition, piano, aural (for ABRSM) and accompanying: this is for boys age 13–18. Teaching of many private pupils from all ages and stages including for the NHS.
Work at higher level includes workshops and classes with conservatoire-level students.
I have experience with pupils of all ages and stages, from beginners through to advanced. Including adults and children. I have put many pupils through ABRSM exams, with good results including distinctions. I have also had several beginner pupils who simply want to learn the instrument to an enjoyable level and play with others.
I am also available to tutor for GCSE/iGCSE/A-Level music exams.
Tutoring Approach: I want to help students with their own unique musical goals through exciting methods; I have a wide plurality of musical experience and an open personality, so let's talk about what you want to achieve.
Free first lesson.
Music, Music History, and Classical Piano lessons in Grays, UK.
Classical Piano and Music History lessons in London, UK.
