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Guitar lessons given by qualified guitar teacher based in Norwich, Norfolk. Classical, Electric and Acoustic guitar tuition from experienced, versatile, ISM registered (and CRB checked) tutor. Individually tailored lessons covering a range of styles including Rock, Blues, Jazz, Classical and Acoustic fingerstyle. For more info please visit my website.
To contact Bob P. BA HONS (Mus) LGSM FISM please call, text or email.
Deive M. One to One Tuition Piano - Keyboard - Guitar - Bass - Drums - Theory £36 for a one hour lesson, reduced to £33 if paid in advance, and the first one is also only £33.
Length and frequency of lessons are flexible. All ages welcome. I am able to teach students to play any songs or pieces they like and not make them learn any they don’t like. I teach them to play by ear and by notation. I also teach them how to improvise, and speak their mind musically. I have 18 years experience in this line of work, and for 17 years now it has been my full-time occupation. I have studied music at Los Angeles Musicians Institute and Cambridge Anglia Ruskin University. My name is pronounced ‘Dave Montaig’. ‘Deive’ is short for Deiven. Students can choose to learn any or all of the instruments I teach. They do not have to own an instrument to spend part of their lesson learning it. Students do not have to learn to read conventional sheet music. Furthermore, I do not teach it to beginners. I do teach it to those who want to learn it, but only after they have learnt my own ‘RSMR’ notation system. I don’t want to give them an overcomplicated, incorrect view of music that may make them give up. RSMR is the Rational System of Musical Reference, and is not just a notation system; it incorporates a new nomenclature system also. The conventional theory, nomenclature and notation of music contain some serious mistakes. The notation system is overcomplicated, presenting us with a number of things that do not exist in music itself, much of the nomenclature is naming elements of a notation system rather than elements of music itself, and the theory of pitch and the theory of rhythm presented to us do not acknowledge this. Furthermore, much of the notation and nomenclature is imprecise, impractical, inappropriate or misleading, and many of the terms used are given two or more conflicting meanings. Students do unfortunately have to learn much of the conventional nomenclature - because it is so widely used. Many musicians cannot read the notation and do not use it – including many of the world’s most popular musicians – but all musicians use the nomenclature to some extent. All students of pitch-playing instruments should be taught the conventional names of the twelve absolute pitch-tones and all students of chord-playing instruments should be taught the conventional names of the chords, but they should also be taught that these names are bad ones. There is now an enormous library of song notations that are available for free on the web which simply present the lyrics and chord-changes in the song, with the chords indicated simply by name, and every guitarist and keyboardist should learn how to read these; however, they should also learn how those chord-names are far from good ones. I have no problem with beginner guitar and bass students being taught conventional ‘tablature’ notation, and I often give them tabs that have been published on the web. The only difference with my own tablature is that it includes timing details; conventional rhythmic-timing notation is not compatible with guitar tab, but my rhythmic-timing notation is compatible with any system of pitch notation. I do teach ‘grade’ exam courses if requested, and have taught those from the Trinity, ABRSM and Rockschool awarding bodies, but I don’t teach these to an absolute beginner. They present rudimentary music theory as little more than the rules of a bad system of musical reference stated as if it is a good one. I teach the real rudiments of music, and this does not involve introducing such things as the sharp, the flat or the time signature. The sharps, flats and time signatures we are presented with in the notation are elements of notation, not music, and they are in the notation because the notation system is overcomplicated. The sharp and the flat came from the use of a pitch-staff which makes room for only seven of the twelve musical pitch-tones, and the time signature came from using different single note and rest symbols to indicate different rhythmic durations and then allowing them to change which durations they represent. The twelve absolute pitch-tones of the Western musical pitch-tone system should have been given permanent identities, not temporary identities which are dependent on which key or chord they temporarily belong to. And note duration should have been measured in beat-value, not semibreve-value. Semibreves do not exist in music. I came to realise and understand the main mistakes in the theory, nomenclature and notation of music before I ever started teaching, and this was one of the reasons I went into teaching. It caused me to confront these mistakes head on and find the solutions. Some of these solutions had already been proposed by others, and some had not. The staff design I use for keyboard and general-purpose pitch notation has been around for almost two centuries, although I have presented it in a particular way that is unique and improved, but the rhythmic-timing notation system I use with all my students, no matter what the instrument, is entirely of my own invention. I also have invented numerous other music learning aids that translate what we hear into something we can see.
Online Guitar Instructors
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Now I do all my lessons on line , either by Skype , Zoom or any other equivalent .It is cheaper for the pupil, no travelling, so no fuel used, and easier all round as the timings can be changed easily on either side, to suit any sudden problems.
I teach reading music as a given , right from the beginning. Either classical or acoustic but no specific styles, i. e. country, folk , blues etc. No, I will teach you to play properly with tutor books and additional material and with the knowledge gained you will eventually be able to play in whatever style suits you, but I will not teach a style at the lesson.
Having 60 books of guitar music published in 5 different publishers , and having played, arranged, transcribed and written all forms of guitar music since my teens , I am uniquely equipped to teach anyone whether a beginner, or an advanced player or any level in between.
I am often asked to transcribe unpublished classical guitar recordings onto sheet music which I will do happily for a fee, should anyone be interested.
I now have my own classical guitar sheet music and CD review site at www.allclassicalguitar.co.uk and so my working life is completely music based.
Joss was born in the small seaside fishing town of Oban on the north west coast of Scotland and moved to Glasgow at an early age. It was in Glasgow where Joss started to take an interest in jazz, becoming involved with jazz workshops and big band at the Glasgow Arts Centre and performing with the National Youth Jazz Orchestra of Scotland (NYJOS).
Aged seventeen Joss moved to London to study jazz at university. He was taught harmony and theory by Pete Churchill (Jazz Education award 2007) and Nikki Iles (Jazz Education award nominee 2007 & 2009) and had guitar tuition under the guidance of multi-instrumentalist Stuart Hall and Phil Robson (Winner of 'Best Jazz musician of the Year' 2009). Joss also developed his performing skills with tuition by founding members of Loose Tubes - Eddie Parker and jazz educator - trumpeter Chris Batchelor.
After graduating with an honours degree in Jazz (BA Music Jazz Studies) Joss stayed in London for several years working professionally before studying for a Post Graduate Certificate in Education (PGCE) and moving to Devon where he still resides. Joss continues to gig with some of the top musicians in the South West.
Extensive experience tutoring guitar and bass to students with a wide range of abilities. Tutoring is available in both English and Spanish.
Federico’s preferred guitar method for popular music is the William Leavitt guitar method in three volumes, the renowned and basic text for the Berklee College of Music programme and in programmes universally.
Federico provides a balanced combination between theory and practice. Students will be able to learn how to play guitar or bass, read music, read chords and learn theory applied to improvisation.
Federico can also offer theory lessons for ABRSM theory exams, from grade 1 to 5.
Lessons can be face to face or online through Skype or Zoom.
Federico holds a Disclosure PVG, so able to work with children and or vulnerable adults.
Guitar lessons in Southampton, UK.
4+ Decades of Experience
3+ Decades of Teaching
General Music, Acoustic Guitar Electric Guitar, Bass Guitar, and Guitar lessons in Crewe, UK.
Guitar lessons in South Shields, UK.
I have been teaching guitar and music theory for over a decade, as well as being an active professional musician. Graduating with a 1st Class degree in Music from Southampton University, I have since worked with many world class artists including Joss Stone, Jeff Beck, Beverley Knight, Joselyn Brown, Nitin Sawhney, Lamar, Mica Paris, Incognito, Lack Of Afro, Leigh Coleman, The Voice contestant Hannah Berney, Keith Emerson, KT Tunstall… I have performed at prestigious venues and festivals worldwide including Wembley Stadium, The Royal Albert Hall, Byron Bay Blues Festival and the North Sea Jazz Festival.
I have over a decade of experience teaching guitar and music theory in colleges and schools, as well as teaching private students and running group and university workshops. I have a full DBS check, Public Liability Insurance and am a member of the Musicians Union and the Registry of Guitar Tutors.
I uphold a friendly and professional attitude towards lessons, making sure the student gets the most out of their time with me and has fun. I encourage students to nurture their creativity in their musical journey, learning not just to play and reproduce what they hear, but develop their own voice, improvise and compose for themselves, be it a short riff or a symphony!
Lessons are planned around the students needs and abilities. I am able to teach all abilities from beginner to advanced, in all styles (including classical, rock, pop, funk and jazz) on both electric and acoustic guitar. Sight reading, reading tablature, and music theory are all taught within the lesson and I am able to tutor students through performance and theory exams. It’s not all about results, but for students looking to take grade exams I offer Rock School, RGT, LCM, ABRSM and Trinity College exam boards. I have a proven track record of success, with over 95% of students achieving a Distinction, and 100% achieiving Merit or higher. I can also support students with GCSE and A-Level studies in Music.
When I’m not teaching, performing or behind a guitar, you’ll probably find me walking through the Devon countryside with my miniature dachshund or enjoying some good food and local ale with my wife and baby son.
Hi - I'm Nic S. and I've dedicated most of my life to music. If you're passionate about music, I'd really love to help you improve your skills, and develop your creativity. My first instrument (Which I've studied to degree level) is guitar, and I consider this instrument my 'Home base'. Music is more than just 'playing guitar' though, so I'm also open to teaching music theory, composition, songwriting, production, engineering as well as mixing and mastering. I don't work to a curriculum, and I don't teach grades (Unless it's what a student wants). Whatever you're struggling with is what we'll focus on, and the music that excites you is the music we'll be learning about! I'm here to teach you, for you. Despite having an academic background, I really feel like music is for everyone, and whatever helps you achieve your goals matters more to me than if you know 'standard theory' or things like that. Feel free to get in touch and we can set up a call where I can get to know your musical interests and needs, and you can decide if you'd think I'd be a good tutor for you! :)
I have taught private individuals for over 20 years. Exam grades instrument tuition and also rock and pop music.
Experience in working with various social media platforms. Great communication skills: - Strong leadership to successfully manage a team.
- Good networking skills to form meaningful partnerships.
- An ability to multitask and perform under pressure.
- Sound knowledge of the English language.
- The ability to think strategically and creatively.
I teach to all ages, up to Grade 8 on the Drums, Grade 4 on the Guitar and on the Piano I will teach to a high standard, but not through the grading system as I only teach basic level sight reading for Piano.
I have taught many students over the years at varying ages and skill levels, and all have come out more passionate and more improved at there instrument.
My students have all mentioned how they find there lessons thoroughly productive and enjoyable, finding themselves increasingly motivated to play after having lessons with me. (see references at the bottom)
In my lessons I will take the students up through the Grades (ONLY for Drums and Guitar), via Rockschool, teaching them everything they need from technique, learning how to sight read, developing improvisation skills, playing in many different genres of music, and how to play by ear. I will also cover how to complement the music you are playing to and how to serve the music. As well as developing musicianship skills and how to have the right attitude in the music business.
- on the Piano I will teach to a high standard, going through everything listed above, as well as scales, arpeggios, inversions, learning classical and contemporary pieces, and basic level sight reading, but NOT grades unfortunately.
I hope to be teaching you soon!
Blessings,
Max
English Literature, Maths, Science, Guitar, Bass Guitar, Acoustic Guitar, Classical Guitar, and Electric Guitar lessons in Edenbridge, UK.
I'm a professional Music lecturer and tutor, Guitar teacher and Bass tutor based in the West Midlands. As a Music tutor/instrumental tutor I have 1000+ hours of teaching experience, I hold a Popular Music Degree and in a College employment setting I have 14+ years experience of teaching college students from ages 16+ to adults in a range of levels (1-5).
I know every student’s journey is different, and my aim is to meet each student where they’re at, learning through Music we discuss their aims and develop the curriculum to develop their understanding.
As a musician I play in a variety of bands and performance situations as well as session work for bands and for artists up and down the UK.
I’m a Bass player for a Midlands based punk band who have released three albums and with this I have played festivals around the UK.
I play Guitar for a folk/rock band, a high end function band and also for a Queen tribute band.
As a teacher I work closely with pupils to develop personal goals, and work together on a simple plan on how to reach them. I believe understanding the reason the student is taking lessons and playing guitar/bass or embarking on other musical developments is fundamental to providing quality tuition, so I strive to create plans with the pupil to support their aims. Each lesson always keeps the pupil’s individual goals at its centre, and is created to develop musical fluency.
Ultimately I teach the student to teach themselves by understanding core musical concepts and developing a base of fundamental skills, these include; Ear Training - learning how to recognise the chords in any given song by ear; Strumming and Picking/Fingerpicking Technique - fluency with all standard right hand techniques is a must, and I teach these prioritising what is commonly used in their favourite styles; Reading TAB as well as Staff notation.
Creative Playing, Song Writing, and Improvising is my favourite area of playing and teaching as it helps learners find their own voice! I help to build knowledge of music theory in a practical and applicable way, exploring new concepts that will enable students to discover new sounds.
Again, this is catered to their aims - if they wish to write songs we'll look at some of their favourite artists/genres, see what they're doing, and set some aims for targets to write using some of their techniques.
If learners want to improvise, we'll explore some of our favourite improvisers - what scales to they use, how do they shape their phrases, and what articulation techniques are employed.
If learners have experience playing but need to improve techniques I can show drills and exercises that will make them a better player.
We explore a lot of aspects - from how to move economically; where to have tension and where to avoid it; tonal possibilities as well as how to structure your practice so you get the most for your time, whether you have a little or a lot.
I have always been passionate about music. That passion has allowed me to travel the world, and I have met the greatest friends I could have hoped for all because of our shared interest in music. I have shared stages and conversations with my hero’s and the transferable skills I have learned from studying music have meant that I have always found employment. I have vast teaching experience, I currently hold a full-time role teaching music production at the undergraduate level on the Popular Music Performance Course at Leeds Arts University. Previous teaching experience has included; Peripatetic instrument tuition (Guitar, Bass, Ukulele & Drums) at KS3, running creative software and computing workshops within Apple retail from Primary-age up to adults, and vocational workshops in audio production through the West Yorkshire police community fund.
I have a dedicated music studio space, that is set up for one to one tuition in my home. But I am equally comfortable in any setting including online. Please get in touch if you would like to learn more about learning more!
